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Friday, 25 January 2013
DAPATKAN KRAF TANGAN DI KEDAI SHC
SEBAGAI MAKLUMAN KEPADA PENCINTA SENI KRAFTANGAN TEMPATAN ANDA BOLEH LAH DATANG KE KEDAI / PERMIS SABAH HANDICRAFT COLLECTION (SHC) YANG TERLETAK DI PERKARANGAN BANGUNAN LEMBAGA KEBUDAYAAN NEGERI SABAH. PELBAGAI JENIS HASIL SENI KRAFTANGAN TEMPATAN DIJUAL DI SINI. DAPATKAN HASIL KRAFTANGAN UNTUK PERHIASAN, CENDERAHATI ATAU UNTUK TUJUAN LAIN DI PERMIS SHC.
Thursday, 3 January 2013
TAGUNGGAK , SUNDATANG DAN TONGKUNGON
TAGUNGGAK
Taggunggak is a set of traditional musical instrument made from
large bamboo culms. It was called tagunggak
(or bamboo gongs) amongst the Murut, togunggak amongst the Dusun/Kadazan or ‘togunggu’ in Penampang,
Sabah, Malaysia. One set comprises from six (togunggu’) to thirty (tagunggak) pieces,
depending on the ethnic group. The music resembles that of the set of gongs of
the particular group, with each idiophone tuned according to the corresponding
gong part it plays. The Tagunggak is played by a group of
musician to accompany dancing or processions at the ethnic group festival
occasions.
Sundatang
Pengenalan
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Fungsi
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Di Tambunan ianya dimainkan untuk
mengiring tarian sundatang magarang. Ianya dimainkan juga untuk hiburan
persendirian dimainkan secara solo tanpa diiringi oleh suara.
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Cara Bermain
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Ia dimainkan dengan memetik tali
loyang dan nada tali-talinya dibetulkan dengan memutarkan skru kayu telinga
di atas alat ini.
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The Sundatang is originally a 2 stringed
instrument crafted from a solid block of wood and it is used for ceremonial
celebration by the ethnic people of Sabah in East Malaysia. This instrument is
a close cousin of the Sape of Sarawak and the Kutiyapi of the Pilipino people.
I redesigned it to be 3 stringed instrument with frets and proper bridge,
holding the strings in tune with good and sustained acoustic sound qualities.
Tongkungon
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TONGKUNGON |
Bamboo
really is a grass, the biggest grass in the world – technically speaking it
belongs to the true grass family Poaceae, subfamily Bambusoideae,
tribe Bambuseae. Some of its members are giants, forming by far the
largest members of the grass family. Bamboos are defined as plants that have
segmented, typically hollow, woody stems that sprout from underground rhizomes.
Bamboos flower at intervals of up to 10 years, after which the plant may die.
Bamboos grow mainly in tropical and subtropical regions of Asia, Africa and South America. There are around 91 genera and more than 1000 species of bamboos known in the world, and the Forestry Research Centre in Sepilok has recorded a total of 36 species for Sabah.
The bamboo species in Borneo have been in the region long enough to be indigenous, although some species may have been imported from other countries over the past three thousand years, such as Gigantochloa balui. However, proper evidence is lacking.
The local people in Borneo have made wide usage of bamboos, a very versatile, as well as abundant and fast growing source of food, medicine, building material, and raw material for all sorts of daily implements, from cooking containers to ceremonial knives.
Local Bamboo Names
Some of the bamboos found in Sabah, with their local names: K = Kadazan (Penampang area); D = Dusun (generic if no area defined); R = Rungus; M = Murut
Uga’ding (K); Rugading (D)
Schizostachyum brachycladum
This is “Yellow Bamboo”, mostly found around and in cemeteries, and nowadays in landscaping. Its culm is a bright light yellow with attractive green striations, giving it a very elegant look. I have found that in Tambunan people make suki (cups) during weddings for serving rice wine. Unfortunately the suki do not last, the bamboo curls and splits when drying up, and its colour becomes an uninteresting grey-brown.
Poing (K); Poring (D)
Gigantochloa levis, 15 to 30 meters high, culm diameter up to 20 cm
Called ‘poring’ in most Dusun isoglots, this is the biggest and strongest bamboo in Sabah; it is used in buildings, from temporary stilts (in pondok), to permanent flooring and walling (Kadazan Penampang usage) and even roof tiling (Tamparuli). Instruments are made from poing, such as the tongkungon (zither / chordophone) and the togunggu’ (an idiophone, known as tagunggak amongst the Murut and togunggak amongst the Dusun), and many more daily implements – there are no limits to its usage. The shoots (sokok) are collected as food.
This bamboo has a particularity: it is not attacked by any bore-worm, and even in the open deteriorates very slowly. Floors and walls, as well as other implements made from this particular bamboo might last, without further treatment, up to thirty years.
Tamahang (K); Tamalang (D); Rugading Tamalang Silou (D – the yellow variant)
Bambusa vulagris, up to 15 meters high, culm diameter up to 6 cm
Usually to be found along rivers, tamahang can be confused with poing, but it is smaller and its sokok (shoots) is very bitter. Tamahang is used in the constructions of fences that will last about three to six months.
Note: there are certain times when this bamboo (and also other species) cannot be cut: if cut before full moon, bore-worms attack the wood and lay their eggs. The hatching larvae will quickly deteriorate the bamboo. If cut after the full moon (after the bore-worms have laid their eggs), the bamboo lasts longer.
Bahui (K); Balui (D Moyog); Malui (D); Rugading Balui (D – if yellow)
Gigantochloa balui, 15 to 18 meters high, culm diameter up to 10 cm, thick wall
A green, sometimes yellow, thick-walled bamboo with no particular usage, but may be used to make a straw to drink tapai (siopon), and a sharp knife/spear to kill pigs. Can be confused with rugading but its walls are much thicker.
Humbising (K); Sumbiling (D)
Schizostachyum lima, up to 12 meters
A thin bamboo that is also referred to as ‘sumbiling’. The Kadazan and Dusun used to make a certain type of ‘knife’ to kill pigs, and a sumbiling spear kills better than others because of natural poisons in the bamboo; it can be used to make instruments such as the sompoton (an aerophone), the turali (‘nose-flute’, an aerophone) and the suling (an end-blown flute). It may also be used to make straws to drink tapai (siopon).
Wulu (K); Tulu (D); Rugading Tulu (D – if yellow)
Schizostachyum brachycladum, up to 13 meters high, culm diameter up to 6cm
A bamboo that an untrained eye easily confuses with poring or even rugading in its yellow form but it is much lighter. Often used as a ‘cooking pot’ for glutinous rice, to make water containers and baskets.
Tombotuon / Tombutuong (D)
Schiyostachzum blumei, up to 5 meters high, culm 2 cm
Bamboo with spiny branches, and middle branches can branch again; seldom used but finds its application as a ‘straw’ to drink rice wine. It can be confused with sumbiling and tulu rugading but tombotuon has thicker walls.
Wadan (D)
Dinochloa trichogona – Borneo climbing/scrambling bamboo; D scabrida; D sublaevigata
Sap (wadan) is used as an eye drop; no further information (27/03/07).
Tongkungon (D)
Bambusa blumeana, up to 22 meters high, culm diameter up to 20 cm
Famous for its shoots, which are sweeter than those of poring. As the name indicates, this bamboo is used to make the tongkungon, a bamboo zither and also the tagunggak (the bamboo gongs), two types of indigenous instruments. However, poring (Gigantochloa levis), which is more readily available is also used.
ASAL USUL ALAT MUZIK BAMBU
Asal Usul Alat Muzik Bambu
There are numerous types of bamboo flutes made all over the world, such as
the dizi, xiao,
shakuhachi,
palendag
and jinghu.
In India, it is a very popular and highly respected musical instrument,
available even to the poorest and the choice of many highly venerated maestros
of classical music. It is known and revered above all as the divine flute
forever associated with Lord Krishna, who is always portrayed holding a bansuri
in sculptures and paintings. Four of the instruments used in Polynesia
for traditional hula
are made of bamboo: nose flute, rattle, stamping pipes and the jaw harp.
Bamboo may be used in the construction of the Australian didgeridoo
instead of the more traditional eucalyptus
wood. In Indonesia and the Philippines, bamboo has been used for making various
kinds of musical instruments, including the kolintang,
angklung
and bumbong.Bamboo is also used to make slit drums. Traditional Philippine banda kawayan (bamboo bands) use a variety of bamboo musical instruments, including the marimba, angklung, panpipes and bumbong, as well as bamboo versions of western instruments, such as clarinets, saxophones, and tubas.[2] The Las Piñas Bamboo Organ in the Philippines has pipes made of bamboo culms. The modern amplified string instrument, the Chapman stick, is also constructed using bamboo. The khene (also spelled khaen, kaen and khen; Lao: ແຄນ, Thai: แคน) is a mouth organ of Lao origin whose pipes, which are usually made of bamboo, are connected with a small, hollowed-out hardwood reservoir into which air is blown, creating a sound similar to that of the violin. In the Indian Ocean island of Madagascar, the valiha, a long tube zither made of a single bamboo stalk, is considered the national instrument.
Bamboo has also recently been used for the manufacture of guitars and ukuleles. Bamboo Ukuleles are constructed of solid cross laminated bamboo strips not plywood. The bamboo solid wood strips are similar to bamboo manufactured flooring. In addition to their strength, bamboo ukuleles have excellent sound & rival ukuleles made out of more traditional woods like Mahogany and KOA. Bamboo makes an excellent choice for an eco-friendly cost conscious ukulele aficionados.
BAMBOO SAXOPHONES: PHILIPUS' MUSICAL INSTRUMENTS ARE UNIQUE
Bamboo
Saxophones: Philipus' musical instruments are unique
KOTA KINABALU: IT took Philipus Jani 13 years to fine-tune
his saxophone made from bamboo. These days, he can make
one in five days.
The 44-year-old multitalented Dusun from Tambunan has now sold 70 bamboo
saxophones around the world and has made a profit of over RM100,000."I only produce the instrument upon request and many have placed their orders from Japan, Australia, the Netherlands and also locally.
"Although the saxophone is my main focus, I also make other instruments from bamboo such as violins, flutes and guitars," said Philipus, who also earns his living as a musician and handicraft maker.
Music comes naturally to Philipus -- he plays by ear and has never attended any musical lessons.
Well known for his Sompiring trademark, his passion for the saxophone began in 1993 when he first tried his hand at the conical-bore transposing musical instrument.
"I didn't know how to play a saxophone then. One day, I borrowed one from a friend but after a week I had to return it. Later I kept thinking about the instrument. It was like falling in love at first sight."
Because Philipus could not afford to buy a saxophone, he decided to make one using a type of bamboo known as rugading, which is sturdy and light.
"I never once gave up during that 13 years. It was annoying but I eventually got the right sound by 2006. Now, it takes me five days.
"My saxophone has brought me to places I've never dreamt of going to. I have been to peninsular Malaysia and many more places. I have performed in Japan."
Philipus said buyers from other countries would personally fly over to meet him at his small workshop at home.
Sometimes, he plays at a hotel lounge and at corporate events.
The humble craftsman is still holding on to his first bamboo saxophone.
Philipus' next dream is to make a piano from bamboo.
Philipus Jani playing his bamboo saxophone during
the recent Sabah Fest 2012 at the Sabah National Arts and Culture Complex in
Kota Kinabalu. Pic by Edmund Samunting
RINAGO
Cerita Rinago
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RINAGO |
Antara produk kraf tardisional yang dihasilkan daripada ribu-ribu adalah seperti gasing, tinompok dan selapak. Walaubagaimanapun ianya boleh diperluaskan kegunaannya dengan dijadikan produk-produk kraf lain seperti alas pinggan, alas gelas, bekas buah, bakul dobi, bekas gula gula dan sebagainya.
Batang ribu-ribu serta akarnya dicabut. Daun-daun dan bahagian hujung (pucuk)nya dipotong. Ribu-ribu dibelah sedikit dengan pisau kepada dua atau tiga bahagian mengikut ukuran. Bagi ribu-ribu yang agak matang, belahan dimulakan daripada hujung ke pangkal, sementara ribu-ribu yang agak muda dibelah daripada pangkal hingga ke hujung. Seterusnya belahan dibuat dengan hanya menggunakan ibu jari. Benda tajam seperti pisau adalah tidak sesuai kerana menyebabkan belahan tidak seimbang, mudah putus dan rosak. Setelah belahan hampir ke hujung atau pangkal, empulur akan ditarik keluar. Ribu-ribu kemudian digantung dan dijemur di tempat yang teduh hingga agak kering.
Ribu-ribu yang terlalu kering akan mengakibatkan kulit ribu-ribu menjadi kecut dan mudah patah bila dianyam. Ia juga perlu dielakkan daripada terkena air sebelum digunakan agar ia tidak mudah bertukar kepada warna hitam. Ribu-ribu yang telah kering seterusnya diraut dengan pisau. Helaian ribu-ribu kemudian dijangka mengikut saiz yang dikehendaki dengan memasukkannya melalui lubang tudung tin yang ditebuk.
fatigue after a long and difficult
journey to Kudat, Sabah suddenly disappeared. Downcast eyes continue to look
fresh when in front of life.
A pair of small children running,
while the sight of her quiet organize beads. At a different angle, a group of
women are moving their fingers to manufacture woven.
The little house is a witness to the
creativity of women from Rungus. Rungus is one of the tribes in the state. They
are native of the island of Borneo and dominate almost half of the town of
Kudat town located in the most northern point of Borneo Island.Historically, the original activity Rungus is the area of trade by barter, but changing times have changed interests
and tastes of most of the population in this area.
In fact, Kudat is known as the
paradise of handicrafts. Revenue rinago woven or hand as thousands upon
thousands of beads and crafts are among the collections of art must buy for
fans of country crafts.
Leisure Village, Kudat which is
located about 200 kilometers from the city of Kota Kinabalu, Sabah quite calm.
A visit to a hut which is the location of manufacturing woven rinago or
thousands upon thousands of us to find a creative woman, Stephanie Aping.
noshade=”noshade” (RINAGO)
Stephanie, 48, was accompanied by a
small child who was six years old, Alina Asbira rickshaw. Stephanie, is one of
the major players in the handicraft industry, especially woven rinago Kudat.
Rinago or also known lingkong Rungus language is made of the main ingredients
of thousands upon thousands who is a fern plant.
yellowish green vegetation that
grows in the bush vine.
“skills like weaving of thousands
upon thousands of content or nail art representing our communities in addition
to the beads and gongs. ” Therefore, our responsibility to protect this artwork
because it was initiated by the hereditary Our ancestors, “he said, also people
with albino.
networking process
Stephanie told, the weaving process
begins with splitting the thousand- thousand using a sharp instrument like a
knife. Thousands upon thousands will be deducted from the tip to the base into
two parts according to the required size. It was then dried for about an hour
in the sun to get rid of fluid retention in the the trees.
“What is important is to avoid
contact with water before use so that it is not broken and the parts of a black
color,” he said.
Said Stephanie, thousand-making
process thousand is not that difficult but it requires care and passion to the
exciting products and meet the market.
“The networking is done using a
needle with a length measuring about two inches with cane as basic frame.
“After that, over thousands and
thousands who do not need to be cut using nail or scissors,” he said, received
training in advance of the husband, Nayar Morunting.
Among the products produced by
Stephanie is tops, tinompok or multipurpose baskets, candy containers, fruit
and flower containers.
Best of all, all products
kraftangannya has traveled to countries such as Korea and Hong Kong in a
campaign organized by the Crafts Malaysia.
The price for each rinago determined
based on the size and type design, with average prices ranging from RM25 to
RM50.
Jewelry jewelry must
Design-based craft beads can be
regarded as the obligatory hand for most of the population.
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